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A few more pieces of Poetry...

If you have already enjoyed the page A Pause for Poetry, More of my poems  can be read  on Conjuring Marble into Cloud as well as on the blog on this website.

Below you can see a few pieces of poetry which have been published.

If I had a collection, I would call it 'Conjuring Marble into Cloud'.

 Published for National Poetry Day's 'Messages' theme, 2016 and Popshot, April 2017

Daddy's Home

In a dark corner squat

she is folded,

by the bed,

an upturned, colourless Z,

hair caught on ripped anaglypta,

arms like a metal tie around bread,

black soles like ballet shoes,

and toes so cold they might snap

and clatter like dropped pebbles.

Nibbled nails like fairy plates

in bloody beds with ragged frames

on stubby fingers, sucked thumbs

and clutching fists,

twisting comfort out of fabric.

Shiny eyes, bright with fright,

boring blackness,

strings of hair, straw dolls,

tucked behind little ears –

like sheets, mattress-tight –

to listen.

Breath is silent, sparing, saved;

like disturbed silk,

shoulders rise,

shoulders fall.

A bullet-click.

A creak as discordant as a wail,

the sound of a python-squeeze,

insidious.

Too drawn.

He is coming.

He is coming.

A shape more solid than the dark

walls her in.

She feels the burning trickle;

her sodden shroud hugs, clings to her contours,

and the puddle softly creeps

around her cradle,

gently arcing her heels like a crawling tide,

tickling her crunched toes with its frill

and she fills her mind with wet feet and cotton cloth.

Published in Silver Lining by Poets Against Violence (Baer Books Press)

For better, for worse

Mummy’s sleeping on her side

in the corner of the kitchen,

all curled up like a cat.

She hasn’t done her make-up very well…

she’s got dabs of purple all round her eye,

like violet petals squeezed dry

and there’s red sponge-painting on her cheek.

I’m not allowed to sponge-paint.

Her lips look juicy;

I think she’s blowing me a kiss.

I’ve been brushing Mummy’s hair

to make it nice.

It feels like golden clouds in my hand.

I collect balls and balls of it

and lay it on the floor ready for the birds.

I do dot-to-dot on her leg – just pretend –

trailing my finger between the little red circles,

and I cover Mummy’s legs with her nightie

so she doesn’t get cold,

the way she covers me up and tucks me in.

I wash the dirt off her icy feet

with the dish-cloth

and jiggle on her slippers,

toes first, then, clunk, over the heel.

I think she is very tired.

She’s sleeping and sleeping and sleeping

and I am hungry, hungry, hungry.

Black streaks like little rivers

have run down Mummy’s face.

I think she’s been crying about

the terrible mess

and because she broke her favourite vase.

Published in Silver Lining by Poets Against Violence (Baer Books Press)

Unfit for purpose: the frustration of a soul

A trapped angel flares her white light,

magnesium-bright

- an illusion of a hole in the warm black enclosure;

 

blinding, if it could be seen.

 

Concealed in the heart or the head,

she hides in a pinprick dazzle,

flashes into a star

or throws her brightness from a towering pillar,

 

perpetual, intense.

 

It is a cold, clean light:

white champagne or arctic ice.

 

She is a caged spirit,

vibrant,

pulsating,

 

mourning and elbowing

the withering demise

of her rotting confines,

 

helplessly trapped in a vessel

which daily decays around her

 

as she blazes, blazes

in the dark,

 

a perfect clarity

watching organs blacken

and muscles slacken,

bones brittle like sapped twigs,

huddled in a bag

of dry elephant folds.

 

She sings a lament

as colour leaches into white paste.

 

As the ticking stops,

she shrugs off the useless debris

which raced ahead like the hare

 

and paid no heed.

 

She is boundless,

an unveiled spirit free to soar

and flee,

untethered by the fickle cradle.

Published in Songs of Angels (Thynks)

Attendance

​

No phoenix, her pile of twisted sticks reassembles on invisible cords.

The puppeteer, sheer, concentrated Will, pulls.

She rises and rattles into shape, teeters and lurches forward

on to two willow sticks, two of bone, knotted in purple.

 

Clicking sticks, sticking slippers, slipping steps

accompany a cacophony of coughing as she weaves her way

to a bag of crusts, brown and wholesome, carefully kept

for the avaricious magpie and the delicate sparrows, visitors each day.

 

Reliable as the rising sun, each to the other comes,

quelling the emptiness, padding out the hollow need

with satisfaction. She hooks the plastic over bending thumbs,

dips her head and adorns her folded neck with the pendulous feed.

 

Her face is small; her lips like string, her marbled eyes sit in sallow skin.

She shuffles along the well-trodden path, gravel embedding her soles,

her mountainous knuckles stretching white and thin

as she grips her lifeless supports, cooing softly, nearing her goal.

 

Lustrous and agile, petrol blue thuds at her felted feet,

jerking its head as jet stones fix on the expected gift,

and dainty brown dances to her heartbeat,

waiting as her curling hands unfurl and grasp the crusts. So stiff

 

are her joints, but with a surge of pleasure she raises her arms, and stretches her neck,

praising life, releasing the confetti in a showery tribute.

Then, with cracking knees, she embarks on the slow homeward trek

bathed in the balmy calm of the daily commute.

Published on Writers' Talkback as winning poem in monthly competition

The Dwelling

In that secret place, a sea lantern swings,

splashing shards of jade and teal

into the folded silk of the rock.

 

The bowed hag’s watery grief

seeps its magic into the splinters

as she waits with clamped wings.

 

She is frozen into a waterfall of stone,

onyx daggers pinning her into the strata

like a fingerprint.

 

Hooded and veiled, charmed hands

draped, she sucks the light as she dreams

of conjuring marble into cloud.

Published in Full Moon and Foxglove (Three Drops Press)

Nostalgia

The glints in our eyes were so diamond-sharp,

they shredded and tore her armour apart.

 

We cackled like witches and sneered like the rich,

hurled stones, spat saliva and called her a bitch.

 

We crowded the pavement, blew gum in her hair,

lined with her, dined with her, pulled out her chair.

 

We cast her adrift with no anchor to lift her;

like bloodhounds, we sniffed her – our alien sister.

 

Our conspiracy fuelled with foul, fetid fantasy,

we caught leprosy, lunacy in our supremacy.

 

Our spite-infused parodies elicited cheer

and our hearts were engorged by her cold, swelling fear.

 

When she cowered in corners, we formed a tight scrum

round the misshapen ball with nowhere to run.

 

Locked in a stall, her effluent shrine,

we invaded the gaps, an insidious vine.

 

Her voice was a ghost’s, white-whisper-thin,

trapped in her body, a mute mannequin,

 

and her Munchen face dripped like cold, setting wax

through the catalogue of our relentless attacks.

 

Though defenceless and frail, like a china doll,

we cracked her and dug ’til we’d scooped out her soul,

 

and she let her cobweb spirit be torn

by the grappling fingers of malice and scorn.

 

Now she sleeps in the ground crushed by dark, heavy clay,

content to be spared the bright, golden day

 

while we trudge through the seasons, silent, apart,

each with a shard of glass in our heart.

Published in Issue 14 of Jotters United - 'Hooligans'

On Your Marks...

The beginning

No plans, clenched hands, embalmed by sleep. Trickling sands.

Swathed in cotton, mattress-bound, intermittent hollow sounds.

Dependent, reliant, unconcerned, unreciprocal, nothing earned.

 

Reel forward

Mental pathways weave and wander, decisions to make, questions to ponder.

Letters to words to Shakespeare and Kant, numbers to ages to wages to scant.

Meeting and matching and splitting and parting; joyous, despondent, uplifted and smarting.

Gadgets, technology, sharpening skills, all tumbling into life’s barrel of thrills.

Cosmetic enhancement, fitness and six-packs, designers, one-liners and financia cutbacks,

Depression, debt, alcohol, eating disorders, OCD, gambling, extravagance, hoarders,

Marring the men and scarring the women regardless of age or social beginning,

On all, the same badge of honour displayed, the output of life: ecstatic, dismayed.

Contorted faces on bodies elastic, the result of misguided usage of plastic,

Elderly brains, still supple and clear, teens wading through with still no idea.

Confusing distinctions, compartments obscure, the ‘Who’s Who?’ of life an ambiguous blur.

 

The end

No plans, clenched hands, embalmed by sleep. Trickling sands.

Swathed in cotton, mattress-bound, intermittent hollow sounds.

Dependent, reliant, unconcerned, unreciprocal, nothing earned.

Published in Issue 19 of Jotters United - 'Old Age'

Grenfell, where Souls Billow

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