Conjuring Marble into Cloud

MAROONED
I imagine
that this blanched beachstripe is
a whiteburn of snow,
each returning wavepeak a ruffed chorister,
crowned with tasselled transience, bowing
to tip cascades of silverspike into its tapered lap,
lighting it with icepearl;
that this boatbone ladder
is a driftwood tree on crumpled card,
its grainparch aching with the thin stretch
of watered blood;
that the broken shells are
softpad notes on its stave,
echoing the empty blue
of windsong;
that these pebbles are the blank-faced
solitary,
expectation salt-scoured, then
washed away.
I sit amongst the aged boulders,
those hunched, quiet Christmas guests,
nothing more than a dark dot on
damp paper, roughtorn into three,
yet still too much wasted ink
for a message thrown into the sea.
FROST PATTERNS
Winter’s silver nib etches
its signature
like a skater’s blade
star-scripting the rink
with crisp, cold-whispered
choreography.
Diamond-pointed calligraphy
pirouettes pinsharp-air into
spectral scrolls and curlicues,
poetising its deep art in imprint,
arcs edging
into brittleglass stems
where frail frostflowers unfurl –
blue-white-light tubed
in splintered veins,
translucent curls of
fleur de Lys and fronded fern
bouqueted with tight white rosebuds
and gypsophila from an arctic wedding.
Feathers minted from
ice-birds and pampasdown
flock and fossilise
around the bitterbones
of thready icelimbs,
fingers fanning,
spinning filigree while
lustrous little lace-windows glow
in the aqueous polish
of orb-thaw.
