Conjuring Marble into Cloud
In August 2025, I had the honour of having three poems featured at The Starbeck Orion, an online poetry platform curated by poet Paul Brookes.
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These are the poems.
CAPACITY
Mid-stride, a stranger caught our doe eyes;
his nicotined fingers caged our kitty,
the bell ringing with danger as he was gorged
by the cornerstore’s greedy mouth.
The shopkeeper’s face had flicked towards our
knot of childish conspiracy
outside his stickered window;
‘concern’ was not exchanged in their counter conversation.
Our mule relinquished the consignment
of brown bottles and silver cans into a basket of thin arms,
glowing fag already tipping from his slack lips,
anonymising us behind the smoke,
untroubled that we were about to
adulterate our livers,
become unconscious
on the grass
behind the toilets
at the park
in the dark,
that, loose-boned,
we would be hauled to
floppy feet by older boys,
dragged like puppets,
trainers scuffing pavements
as though trying out new school erasers.
Our arms flowered
purple and black, their handclamps
shackling jelly as they
strived to make diagonal vertical.
They surrendered us to a square of light,
backs sliding down chip shop haze
on release,
saggy Guy Fawkes girls, wadded
with wet straw,
limbs wool,
veins hissing with snakebite.
Raina brought water,
paper cups for gripless lips,
dead slugs sprawled in our mouths,
teeth too numb for speech.
We had tasted
the bitter darkness of adulthood;
the children outside the shop
were gone,
and how close we were
to becoming lost, too.
INVERSED LIGHT
On the doorstep, two darknesses,
major and minor,
faces in axial tilt.
My small hand safely knotted with hers,
we magic-gazed at
the tiny fairy lanterns strung above.
Never did she glance at
the missing silhouette and say,
‘Your father is a star’.
She was sun-mother,
and at her supernova,
I was left
a remnant in the void.
I curved the earth,
soft-landed on lonely sand –
onyx-arced.
Oreti and I pressed tight
in the secret silence.
The wings of the ocean
stilled.
My face glittered beneath
the spark-spangled tail
of the unicorn mare long galloped
across the infinite sphalerite plain,
a plume of silver in her wake.
I became phosphorescent,
my metal hot
from starbirth,
soul shimmering
in its own part of the universe.
STEEPED IN A COLLAGE OF UNRAVELLING
on Weeping Men, by visual artist Ise Cellier
His fabric pores are dammed
by a deluge of tiny past-worlds,
their lustre chafed
by the abrasive rake
of warp and weft.
He is the essence of bereft.
They settle. Heavy
as plucked marbles wrenched
from the bending glass
of a light tree,
saturated cores dark.
Indestructible.
They have clogged
the sweet waft of
unencumbrance.
Every stitch is now a pin,
every patch a scar.
His fibre is flimsy.
Frayed.
Seams snap like overplayed violin strings.
His mouth fills
with the disrupted soil of
an autumn churchyard,
words packed into clay
among the flowers
while she shimmers
far away
like a lantern on a cliff edge.
And this is why he will drown.