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In August 2025, I had the honour of having three poems featured at The Starbeck Orion, an online poetry platform curated by poet Paul Brookes.

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These are the poems.

CAPACITY

Mid-stride, a stranger caught our doe eyes;

his nicotined fingers caged our kitty,

the bell ringing with danger as he was gorged

by the cornerstore’s greedy mouth.

 

The shopkeeper’s face had flicked towards our

knot of childish conspiracy

outside his stickered window;

‘concern’ was not exchanged in their counter conversation.

 

Our mule relinquished the consignment

of brown bottles and silver cans into a basket of thin arms,

glowing fag already tipping from his slack lips,

anonymising us behind the smoke,

 

untroubled that we were about to

adulterate our livers,

become unconscious

 

on the grass

behind the toilets

at the park

in the dark,

 

that, loose-boned,

we would be hauled to

floppy feet by older boys,

 

dragged like puppets,

trainers scuffing pavements

as though trying out new school erasers.

 

Our arms flowered

purple and black, their handclamps

shackling jelly as they

strived to make diagonal vertical.

 

They surrendered us to a square of light,

backs sliding down chip shop haze

on release,

saggy Guy Fawkes girls, wadded

with wet straw,

limbs wool,

veins hissing with snakebite.

 

Raina brought water,

paper cups for gripless lips,

dead slugs sprawled in our mouths,

teeth too numb for speech.

 

We had tasted

the bitter darkness of adulthood;

the children outside the shop

were gone,

and how close we were

to becoming lost, too.

INVERSED LIGHT

On the doorstep, two darknesses,

major and minor,

faces in axial tilt.

 

My small hand safely knotted with hers,

we magic-gazed at

the tiny fairy lanterns strung above.

 

Never did she glance at

the missing silhouette and say,

‘Your father is a star’.

 

She was sun-mother,

and at her supernova,

I was left

a remnant in the void.

 

I curved the earth,

soft-landed on lonely sand –

onyx-arced.

 

Oreti and I pressed tight

in the secret silence.

 

The wings of the ocean

stilled.

 

My face glittered beneath

the spark-spangled tail

of the unicorn mare   long galloped

across the infinite sphalerite plain,

a plume of silver in her wake.

 

I became phosphorescent,

my metal hot

from starbirth,

soul shimmering

in its own part of the universe.

STEEPED IN A COLLAGE OF UNRAVELLING

on Weeping Men, by visual artist Ise Cellier

 

His fabric pores are dammed

by a deluge of tiny past-worlds,

their lustre chafed

by the abrasive rake

of warp and weft.

He is the essence of bereft.

 

They settle. Heavy

as plucked marbles wrenched

from the bending glass

of a light tree,

saturated cores dark.

Indestructible.

 

They have clogged

the sweet waft of

unencumbrance.

Every stitch is now a pin,

every patch a scar.

His fibre is flimsy.

Frayed.

Seams snap like overplayed violin strings.

 

His mouth fills

with the disrupted soil of

an autumn churchyard,

words packed into clay

among the flowers

while she shimmers

far away

like a lantern on a cliff edge.

 

And this is why           he will drown.

If you would like to comment about a particular poem, please would you mention the title as the same comment box appears on every page. Thank you.

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